Dear (Potential) Reader,

Dear (Potential) Reader,

There is so much vying for your attention, I'm grateful you’ve read even this far.

            I know I’m asking a lot from you.

            I’m asking you to take time with a new writer when there are so many great ones already out there.

            I’m asking you to take a chance on a new direction in a well-loved genre, in which the wolf is not a vicious beast to be subjugated and feared, but rather the human form is a useful tool for protecting the wilder self.

            In this reworking, werewolves fall into two categories: Pack, who must be wolves for three days out of every thirty—self-aware wolves, but not magic, any bullet can kill them. And Shifters, who don’t have to change and so remain human, the apex predator, rather than wolf, the maligned and despised outsider. 

            Still like any romance, its foundation is in the growing love between two characters: the worldly half-Shifter Tiberius who hates the wolf inside him as bestial and monstrous. And the unworldly Silver, who is fully Pack and believes her wild self to be sacred. 

            Silver is a runt with a displaced hip when she is a wolf and in a society that determines position by fighting wild, this means she is at the bottom of the hierarchy—the last wolf.  Tiberius, however, discovers real strength in her perseverance and fierceness. For her part, Silver recognizes something about him: that by denying his wild, Tiberius has sown the roots of despair.

            But this is not only a love story between two people, it’s also a love story about the Great North Pack, because despite our fascination with lone wolves, it is the pack that really defines this most social of all animals.

             I imagined the Great North as something beyond family or community, something tight- knit and loving and brave and frightened. And intensely vulnerable. I imagined, like most, embattled societies, the pack would be very conservative, with a traditional culture, a history, a language that was part of its identity. I chose to base that culture loosely (very loosely) on the world of 9th century England, partly because I love the sound of the language of Beowulf. To me, it is gruff and beautiful and haunting, like a wolf’s howl. But also because 9th century England was a place of great insecurity. One never knew when Northmen might show up and destroy everything you loved.

            It was the Great North’s first Alpha, Ælfrida, who forced her pack to change. With humans decimating the forests of England, she dragged her pack from the Old World to the vast forests of northern New York, she re-wrote laws in order to allow new wolves to join their bloodlines, she forced her wolves to leave their isolated territories, so that they could learn human ways and protect the Pack using human law.

            What results is a society that is both human and decidedly not, both harsh and loving, severe and tender.  The way I imagined wolves fighting daily for their lives would be.

            I have loved every minute of researching and writing these books. I can only hope that you will enjoy reading them. 

                                                                      Stay wild,

                                                                        Maria